Kyle Jarencio is a digital creative with a knack for community-driven storytelling, the intersection between creativity and commerce, and coffee (iced).

MASSIVart, Business Development & Special Projects, 2022 - Present

MASSIVart is a creative placemaking firm that creates accessible arts and cultural experiences for communities worldwide. The work of creative placemaking connects artists, municipalities, community leaders, and urban planners to develop vibrant and holistic strategies that turn spaces into places.

Get a glimpse into this world through talks I’ve produced with artists within our network.

Scarborough Arts, Marketing & Social Media Coordinator, 2021-2022

Scarborough Arts is a community arts organization that supports a wide array of local Scarborough artists and community members through arts and cultural programming. As a Marketing Coordinator, I look after the branding and create messaging that speaks to the vision of the organization. To me, it’s all about elevating the work of artists and the community.

I had designed the Scarborough Arts Annual Report with entirely new creative direction to update the image of the arts organization in relationship to the public.

The Instagram was reimagined with a brand update, introduction of artist spotlights, and more engaging stories and grid posts! A screenshot from our Instagram that grew from 4100 followers in June 2021 to 5000 in June 2022.

amble mag, Creative Designer, 2021 - Present

Amble Magazine is a messy and marvelous love affair with a pandemic-stricken world. I produced this independent magazine with my friend Nadia Celeste McNairn, full of poetry, stories, musings, and art from twenty-somethings in the face of too much time at home.

Influx, Podcast, 2020-

A culture catch‑up between two second‑gen kids. A podcast hosted by myself and filmmaker friend Amreen Kullar in which we talk about identity through the lens of media storytelling.

Click to catch us on Spotify. Cover art by Andrew O’Brien.

Click to catch us on Spotify. Cover art by Andrew O’Brien.